publications

(last updated: 26.11.2023)

academic – books

  • Seibt, Oliver; Ringsmut, Martin and David-Emil Wickström (eds.): “Made in Germany – Studies in Popular Music”, Routledge (New York, Oxon) 2021
  • Hansen, Arve; Rogatchevski, Andrei; Steinholt, Yngvar and David-Emil Wickström: “A War of Songs – Popular Music and Recent Russia-Ukraine Relations”, ibidem Press (Stuttgart) 2019
  • Wickström, David-Emil: “Rocking St. Petersburg – Transcultural Flows and Identity Politics in Post-Soviet Popular Music”, 2nd revised and expanded edition of “’Okna otkroi!’ – ‘Open the Windows!'”, ibidem-Verlag (Stuttgart) 2014
  • Wickström, David-Emil: “’Okna otkroi!’ – ‘Open the Windows!’ Transcultural Flows and Identity Politics in the St. Petersburg Popular Music Scene”, ibidem-Verlag (Stuttgart) 2011
  • Wickström, David-Emil: “Signifyin’ Vigdal – Aspects of the Ragnar Vigdal Tradition and the Revival of Norwegian Vocal Folk Music”, Hovedfagsavhandling i etnomusikologi / Master’s thesis in ethnomusicology, Universitetet i Bergen, Bergen 2003 – hdl.handle.net/1956/1564

academic – articles

  • Wickström, David-Emil: “A Million Voices – Post-Soviet popular music, the Russian-Orthodox Church and the nation-state”. In: Ritter, Rüdiger (ed.): “Musik und ihre gesellschaftliche Bedeutung in den staats- und postsozialistischen Ländern Mittel- und Osteuropas seit 1945”, Harassowitz Verlag (Wiesbaden) 2023, p. 431-53
  • Wickström, David-Emil: “Inside Looking In: Strategies to Counteract Misconduct in Artistic Teaching within Higher Music Education”. In: Bull, Anna; Scharff, Christina; Nooshin, Laudan (eds.): “Voices for Change in the Classical Music Profession: New Ideas for Tackling Inequalities and Exclusions”, Oxford University Press (New York, Oxford) 2023, p. 54-65.
  • Wickström, David-Emil: “Musik in Zirkulation – Digitalisierung, Globalisierung, Kulturelle Aneignung”. In: Endreß, Alexander; Wandjo, Hubert (eds.): “Musikwirtschaft Im Zeitalter der Digitalisierung – Handbuch für Wissenschaft und Praxis”, Nomos (Baden-Baden) 2021, p. 219–234
  • Wickström, David-Emil: “Peepl Rock: Post-Soviet Popular Music in Germany”. In: Seibt, Oliver; Ringsmut, Martin; Wickström, David-Emil (eds.): “Made in Germany – Studies in Popular Music”, Routledge (New York, Oxon) 2021, p. 101-110
  • Wickström, David-Emil: “Rocking the Academy? Two Cold-War Careers and the Emergence of Popular Music Studies and Higher Popular Music Education in Germany – An Interview with Peter Wicke and Udo Dahmen”. In: Seibt, Oliver; Ringsmut, Martin; Wickström, David-Emil (eds.): “Made in Germany – Studies in Popular Music”, Routledge (New York, Oxon) 2021, p. 16-25
  • Wickström, David-Emil: “Alisa”, MGG Online 2020 – https://www.mgg-online.com/mgg/stable/382706
  • Wickström, David-Emil: “Die Musiken der Welt in Mannheim? Cultural flow und die künstlerische Ausbildung in Weltmusik”. In: Hemetek, Ursula et al. (eds.): “Transkulturelle Erkundungen – Wissenschaftlich-künstlerische Perspektiven”, Böhlau Verlag (Wien, Köln, Weimar) 2019, p. 113-128
  • Wickström, David-Emil: “My Pravoslavnye: Russkii rok, Orthodoxy and nationalism in post-Soviet Russia”. In: Häger, Andreas (ed.): “Religion and Popular Music – Artists, Fans, and Cultures”, Bloomsbury (London, New York) 2018, p. 123-136
  • Schwarz, Axel, and David-Emil Wickström: “Artists to teachers – teachers to artists: providing a space for aesthetic experience at secondary schools through popular music”. In: Smith, Gareth Dylan et al. (eds.): “The Routledge Research Companion to Popular Music Education”, Routledge (London, New York) 2017, p. 217-230
  • Wickström, David-Emil: “Art. Russland C. Rock- und Popmusik”, MGG Online 2017 – www.mgg-online.com/mgg/stable/14857
  • Wickström, David-Emil: “‘Ukro-Ska-Punk’ – Band Identity, Surzhik and Language in Post-Soviet Russia”. In: Bottà, Giacomo (ed.): “Unsichtbare Landschaften – Populäre Musik und Räumlichkeit”, Waxmann (Münster, New York) 2016, p. 127-143
  • Wickström, David-Emil, Martin Lücke, and Anita Jóri: “Not Without Music Business – The Higher Education of Musicians and Music Industry Workers in Germany”, International Journal of Music Business Research 4:1 (2015), p. 55-89 – musicbusinessresearch.files.wordpress.com/2012/04/volume-4-no-1-april-2015-not-without-music-business.pdf
  • Wickström, David-Emil: “Von Get Well Soon Zu Hinterland – Strategien zur Reaktion auf Bedürfnisse von Musikerinnen und Märkten in der Curriculumsentwicklung Künstlerischer Studiengänge”. In: Ahlers, Michael (ed.): “Popmusik-Vermittlung – Zwischen Schule, Hochschule und Beruf”, Lit (Münster, Berlin) 2015, p. 355-370.
  • Wickström, David-Emil: “Sdelan v SSSR”, Songlexikon 2015 – www.songlexikon.de/songs/sdelanvsssr
  • Wickström, David-Emil: “Nebo Slavian”, Songlexikon 2015 – www.songlexikon.de/songs/neboslavianalisa
  • Wickström, David-Emil: “Kolomyika”, Songlexikon 2015 – www.songlexikon.de/songs/kolomyika
  • Wickström, David-Emil: “Russendisko and the German-Russian Folklore Lineage”. In: Stahl, Geoff (ed.): “Poor, But Sexy – Reflections on Berlin Scenes”, Peter Lang (Bern) 2014, p. 43-58
  • Wickström, David-Emil: “Post-Soviet Emigrants in Germany, Their Music and Russkii Rok”. In: Voroshilova, M. B.; Domanskii, Iu. V. (eds.): “Russkaia rok-poeziia: tekst i kontekst”, Vol. 14, Ekaterinburg, Tver’ (2013), p. 306-15
  • Wickström, David-Emil: “Born in the U.S.A.”, Songlexikon 2012 – www.songlexikon.de/songs/bornintheusa
  • Wickström, David-Emil: “Dschinghis Khan”, Songlexikon 2012 – www.songlexikon.de/songs/dschinghis
  • Wickström, David-Emil: “Höllenglocken und der Klang einer gotischen Kathedrale – die akustische Illusion einer Musikwelt”. In: Wiegand, Hermann et al. (eds.): “Musik-Welten – Mannheimer Geschichtsblätter”, Sonderveröffentlichung 3, Verlag Regionalkultur 2011, p. 55-57
  • Wickström, David-Emil: “My reggery – Reggae, Ska and Ska-punk in St. Petersburg”, norient 2010 – norient.com/academic/wickstroem2010
  • Wickström, David-Emil: “Kasatchok Superstar – Post-sovetskaia populiarnaia muzyka, ‘Russendisko’ i traditsiia russkogo fol’klora v Evrope”. In: Voroshilova, M. B.; Domanskii, Iu. V.; Nikitina, E. E.; Nikitina, O.E.; Chudinov, A. P. (eds.): “Russkaia rok-poeziia: tekst i kontekst”, Vol. 11, Ekaterinburg, Tver’ (2010), p. 42–52
  • Wickström, David-Emil: “The Russendisko and Music from and of the Post-Soviet Diaspora”. In: Fernandez, Jane (ed.): “Diasporas: Critical and Inter-Disciplinary Perspectives”, Oxford (Inter-Disciplinary Press) 2009, p. 65-74
  • Wickström, David-Emil; Steinholt, Yngvar B.: “Visions of the (Holy) Motherland in Contemporary Russian Popular Music: Nostalgia, Patriotism, Religion and Russkii Rok”. In: Steinholt, Yngvar B.; Wickström, David-Emil (guest editors): “Popular Music and Society -Special Issue on Popular Music in the Post-Soviet Space: Trends, Movements, and Social Contexts”, 32:3 (2009), p. 313–330
  • Steinholt, Yngvar B.; Wickström, David-Emil: “Introduction”. In: Steinholt, Yngvar B.; Wickström, David-Emil (guest editors): “Popular Music and Society -Special Issue on Popular Music in the Post-Soviet Space: Trends, Movements, and Social Contexts”, 32:3 (2009), p. 307-311
  • Wickström, David-Emil: “‘Drive-ethno-dance’ and ‘Hutzul Punk’: Ukrainian-associated Popular Music and (Geo)politics in a Post-Soviet Context”, Yearbook for Traditional Music 40 (2008), p. 60-88
  • Wickström, David-Emil: “Marusia visits Berlin: Cultural flows surrounding the Russendisko”, Musik & Forskning 31 (2008), p. 65-84 – www.danishmusicologyonline.dk/arkiv/arkiv_musik_og_forskning_pdf/mf_2007/mf2008_31_04_wickstrom.pdf
  • Steinholt, Yngvar B.; Wickström, David-Emil: “Ensretting, segmentering og unnvikende strategier: Tendenser i det ‘nye’ Russlands populærkultur”, Den Jyske Historiker 117-118 (2008), p. 120-138
  • Wickström, David-Emil: “‘Kholodnie choboti’: strategiia postroeniia samoidentifikatsii v populiarnoi muzyke Sankt-Peterburga”. In: Voroshilova, M. B.; Domanskii, Iu. V.; Chudinov, A. P. (eds.): “Russkaia rok-poeziia: tekst i kontekst”, Vol. 9, Tver’, Ekaterinburg 2007, p. 238-243
  • Wickström, David-Emil: “Heute Bundes, Gestern Warschau – Gedanken über Trends der St. Petersburger Populärmusik”, norient 2007 – norient.com/de/stories/stpetersburg/
  • Wickström, David-Emil: “Norsk folkemusikk – et flerkulturelt fenomen?”, Norsk Folkemusikklags skrifter 18 (2004), p. 110-121
  • Wickström, David-Emil: “A revival? A way to look at the last 30 years of Norwegian vocal folk music”, Norsk Folkemusikklags skrifter 16 (2002), p. 77-91
  • Wickström, David-Emil: “Långfil – oder eine kleine Reise durch die Verwendungen von Pinguicula vulgaris”, Das Taublatt – Die Karnivoren-Fachzeitschrift der Gesellschaft für fleischfressende Pflanzen 14:1 (1997), p. 19-20
  • Wickström, David-Emil: “Drosera regia STEPHENS (1926)”, Das Taublatt – Die Karnivoren-Fachzeitschrift der Gesellschaft für fleischfressende Pflanzen 13:2 (1996), p. 27-31

articles

  • Wickström, David-Emil: “The Legacy of Soviet Rock in Belarusian Protest Music”, ZOiS Spotlight 27 (2021), https://en.zois-berlin.de/publications/the-legacy-of-soviet-rock-in-belarusian-protest-music (German translation: “Was Sowjetrock mit belarusischer Protestmusik zu tun hat”, https://www.zois-berlin.de/publikationen/was-sowjetrock-mit-belarusischer-protestmusik-zu-tun-hat)
  • Wickström, David-Emil: “World Music – Are the Musical Languages of the World Intelligible?”, In: Grätz, Ronald; Höppner, Christian (eds.): “Music Opens Up Worlds”, Steidl (Göttingen) 2020, p. 71-75 – English translation of Wickström (2019): “Weltmusik lebt”
  • Wickström, David-Emil: “Weltmusik lebt”. In: Grätz, Ronald; Höppner, Christian (eds.): “Musik öffnet Welten – Zur Gestaltung internationaler Kulturbeziehungen”, Steidl (Göttingen) 2019, p. 77-82
  • Wickström, David-Emil: “Deutsche Populäre Musik ist nicht nur ‘deutsche’ Populäre Musik”, Politik & Kultur 6 (2013), p. 19
  • Wickström, David-Emil: “Schweinische Bullen – Interview mit Dimitrii ‘Sharapov’ Ivanov”, RENFIELD-fanzine 15 (2006), p. 5–9
  • Wickström, David-Emil: “Otorvemsia po-piterski”, RENFIELD-Fanzine 14 (2005), p. 12–14

book reviews

  • “Nationalität in populärer Musik: Popmusik heute – Ausdruck kultureller Identität oder Produkt einer globalisierten Wirtschaft?” by Gmelin, Hannes. In: Lied und populäre Kultur – Song and Popular Culture: Jahrbuch des Deutschen Volksliedarchivs 54 (2009), p. 371-374
  • “Music, National Identity and the Politics of Location – Between the Global and the Local” edited by Biddle, Ian and Knights, Vanessa. In: Popular Music 27:1 (2008), p. 186-188
  • “Arsenio Rodríguez and the Transnational Flows of Latin Popular Music” by García, David F. In: Popular Music 27:1 (2008), p. 159-160
  • “Vom ‘Punk Frühling’ zum ‘Slowenischen Frühling’ – Der Beitrag des slowenischen Punk zur Demontage des sozialistischen Wertesystems” by Barber-Kersovan, Alenka. In: Diskussion Musikpädagogik (Kulturerschließender Musikunterricht) 31 (2006), p. 57–59
  • “Wrestling with God & Men” by Greenberg, Steven. In: Werkstatt Schwule Theologie 12:1+2 (2005), p. 90-93
  • “Queer Denken – Gegen die Ordnung der Sexualität” by Kraß, Andreas. In: Werkstatt Schwule Theologie 11:4 (2004), p. 443–446

cd reviews

  • “‘Beginner’s Guide to Scandinavia'”. In: Norient (2012) – http://norient.com/blog/beginners-guide-to-scandinavia-review
  • “Figli di Madre Ignota: ‘Fez Club’”. In: RENFIELD-Fanzine 21 (2010)
  • “Damir Avdic: ‘Mrtvi Su Mrtvi’”. In: RENFIELD-Fanzine 21 (2010)
  • “SNG: ‘EP’”. In: RENFIELD-Fanzine 20 (2009)
  • “Haydamaky: ‘Kobzar’”. In: RENFIELD-Fanzine 20 (2009)
  • “What we feel/Devil shoot devil-Split CD”. In: RENFIELD-Fanzine 19 (2008), p. 38
  • “Kleine Kühe, die alle Frauen lieben: Little Cow: ‘I’m in Love with Every Lady’”. In: RENFIELD-fanzine 18 (2007)

discography

  • Various artists: “Danish World Awards 2008”, World Music Denmark 2008 (with Hotel Desperado)
  • Various artists: “Ukraine do Amerika”, Russendisko Records 2008 (with Svoбода)
  • Strika Tango: “Civilizacio”, Vinilkosmo 2004




Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.