In my master’s thesis Signifyin’ Vigdal: Aspects of the Ragnar Vigdal tradition and the revival of Norwegian vocal folk music which I finished in 2003 my main point of focus was the Ragnar Vigdal tradition and how vocalists today interpret him (his style is known for it’s nasal timbre, ornamentals and special tonality). As a…Continue reading Vigdal’s Tonereise