Finally my article “‘Ukro-Ska-Punk’ – Band Identity, Surzhik and Language in Post-Soviet Russia” on Svoboda’s use of surzhik and Ukrainian stereotypes in St. Petersburg has been published – my first foray into linguistics. 😉 After the editor of the first book project this article was supposed to appear in disappeared the article found a welcome new […]
Finally I got my author’s copy of “Rocking St. Petersburg – Transcultural Flows and Identity Politics in Post-Soviet Popular Music” published this June. The book is a revised and expanded edition of “‘Okna otkroi!’ – ‘Open the Windows!’” and is distributed through Columbia University Press in the United States (ibidem is still responsible for the […]
Russia has since the fall of the Soviet Union been reconfiguring their nation building. One aspect has been to re-embrace the Romanov dynasty as this billboard commemorating 400 years of the Romanovs shows. Taken during my morning jog with my Canon S95.
Another musician who passed away at an early age is Arkadii Severnii (aka as Arkadii Zvezdin – 1939-1980) – an influential performer within what has become known as the russkii shanson tradition (Uli Hufen wrote a good book on russkii shanson with a long chapter on Severnyi – my mini review of the book is on […]
While visiting Tsoi’s grave I also passed the grave of the recently deceased Mikhail “Gorshok” Gorsheniov (1973–2013) who passed away a month before my visit to the cemetery. He was the vocalist of the St. Petersburg based band “Korol’ i Shut”, one of the big Post-Soviet bands. Taken with my D700 and Nikon 20-35mm 2.8.
One of the disadvantages of doing research on Post-Soviet popular music (as well as with musicians in general) is that a lot of central musicians died (and still die) at a young age – like Viktor Tsoi (1962-1990), the vocalist of the Soviet group Kino. Tsoi, however, remains in the memory of his fans – […]
A revised version of my phd-dissertation with the title “‘Okna otkroi! – ‘Open the Windows!’ – Transcultural Flows and Identity Politics in the St. Petersburg Music Scene” was published last week in the series “Soviet and Post-Soviet Politics and Society” edited by Andreas Umland. I am very honored to have a super foreword written by […]
The Independent Network for Local and Global Soundscapes norient just launched the following Call for Articles for a new online journal which focuses on popular music ethnographies from around the world: Call for Articles – norient academic online journal With the International Association for the Study of Popular Music (IASPM) approaching its 30th birthday norient […]
Today’s New York Times featured a Saturday Profile on DDT’s vocalist (and leader) Iurii Shevchuk titled “A Star Keeps Rocking in the Not-So-Free World“. The article gives a short summary of Shevchuck’s biography and primarily deals with his questioning of the current regime as well as the recent question-and-answer session with Vladimir Putin on May […]
My article My reggery – Reggae, Ska and Ska-punk in St. Petersburg discussing ska, ska-punk and reggae in St. Petersburg was just published on Norient.com. 🙂
After the special issue of Popular Music and Society on post-soviet popular music was published I was contacted by the movie director and photographer Christine Bachmann who asked if I had heard of the movie “Good Bye, Leningrad” – which I had not. After some technical complications I finally got a review copy of the […]
Since May 22nd, 2005 Akvarium’s lead singer and front man Boris Grebenshchikov (BG) has hosted the weekly radio show Aerostat on Radio Rossii (these shows are also published and archived as podcasts at aerostat.rpod.ru). While quite broad (and primarily about Western popular music) BG at times also talks about Russian popular music. Besides discussing and […]