Article “Ukro-Ska-Punk” finally published

Finally my article “‘Ukro-Ska-Punk’ – Band Identity, Surzhik and Language in Post-Soviet Russia” on Svoboda’s use of surzhik and Ukrainian stereotypes in St. Petersburg has been published – my first foray into linguistics. 😉 After the editor of the first book project this article was supposed to appear in disappeared the article found a welcome new […]

Rocking St. Petersburg

Finally I got my author’s copy of “Rocking St. Petersburg – Transcultural Flows and Identity Politics in Post-Soviet Popular Music” published this June. The book is a revised and expanded edition of “‘Okna otkroi!’ – ‘Open the Windows!’” and is distributed through Columbia University Press in the United States (ibidem is still responsible for the […]

“Das Regime und die Dandys” – book on russkii shanson

This summer I by coincidence saw that a book had been published about russkii shanson or blatnye pesni. Heard prominently on the streets of Russian cities this music has until now been academically neglected and this is to my knowledge the first monograph on the topic. Titled “Das Regime und die Dandys – Russische Gaunerchansons […]

Article on Reggae, Ska and Ska-punk in St. Petersburg published on Norient

My article My reggery – Reggae, Ska and Ska-punk in St. Petersburg discussing ska, ska-punk and reggae in St. Petersburg was just published on Norient.com. 🙂

Popular Music and Society on Popular Music in the Post-Soviet Space

A happy summer announcement: The journal “Popular Music and Society” (32:3 2009) titled “Popular Music in the Post-Soviet Space: Trends, Movements, and Social Contexts” of which Yngvar Steinholt and I were guest editors is now out. Concluding about two years of editorial work (and a lot of really interesting submissions) the journal includes the following […]

Vigdal’s Tonereise

In my master’s thesis Signifyin’ Vigdal: Aspects of the Ragnar Vigdal tradition and the revival of Norwegian vocal folk music which I finished in 2003 my main point of focus was the Ragnar Vigdal tradition and how vocalists today interpret him (his style is known for it’s nasal timbre, ornamentals and special tonality). As a […]